Simon: The concept came from my collaborator, Robert Pratten. Robert approached me about a year ago with the idea for multimedia story set in San Francisco’s Tenderloin district. He gave me brief character profiles for the principle characters and the initial scenario of a cop investigating himself and his possible involvement in the death of a homeless man. I liked the challenge of trying tell a story using different formats and jumped at the chance.Our primary aim was to avoid filming scenes directly lifted from the book or blog and vice versa. This approach made it somewhat easier for me to write. I could focus on writing the book, get that out of the way, then turn to the movie script, write that in isolation and so on. At times, coordinating the various aspects to make three seamless stories did make my head hurt. To make all the individual pieces work took a lot of planning.
WN: Was it hard when writing to limit yourself to only Hayes' POV knowing that there was other intersecting story happening elsewhere?
Simon: No, it wasn’t hard. It actually made writing Hayes easier, because I know I’d have the movie or the blog to tell the story from a different character’s POV. Actually, Robert’s main instruction helped. He wanted each individual piece could be read as a standalone piece, but when read/watched in conjunction, the combined pieces would give a much fuller telling of the story.
WN: How do you think multi-platform storytelling is going to impact the writing world?
Simon: I’m not sure how transmedia (as it’s called) is going to shake up storytelling and the writing world, but hopefully in a good way. With the advances smart phones and handheld devices, there's the ability to play with the concept of storytelling. Combine that with the ever-increasing sophisticated demands of the consumer, I can the reader latching on multi-dimensional storytelling.
WN: What's captured your attention lately as a reader?
Simon: A few things actually, Stephen J Cannell’s ON THE GRIND was probably the best crime thriller I read last year. It had my pulse racing from start to finish. A great piece of work. And I just finished Debbi Mack’s second book, LEAST WANTED. It’s a mystery featuring a small-time lawyer and it was just a really well written and developed mystery. Finally, I got to read an advanced copy of John Vorhaus’ The Albuquerque Turkey, which is about a con man trying to go straight. It’s a lot of fun, definitely something for Donald Westlake fans.
WN: What's next for you as a writer?
Simon: Quite a bit. In the fall, I have the first in a series of mysteries set in the motor racing world. The first book is called, DID NOT FINISH. I’m switching genres with the first in a series supernatural novels with each one focusing on the four elements, earth, wind, fire and water. The first of those will be out at Christmas. Finally, I’ll be completing the final two books in THE SCRUBS trilogy. Those will be out in 2012. So 2011 is going to be a busy year at the keyboard.
Ready to dive into Lowlifes? You can find the story, video episodes and links to the online blogs at http://www.lowlifes.tv/.
BEAUDOIN: I’ve pretty much been writing Wesley Payne in my head since I was fourteen. I didn’t realize it until two years ago, when I sat down and the first chapter just sort of appeared on the page. Stewarding a novel from that first exciting idea, to the point that it’s ready to be on anyone’s bedside table, is pretty much like the 9-volume Adventures in Early Dentistry series. In other words, excruciating.
























